Meme-ing The Debates, Framing the Agenda

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This week, the third and final debate between Hillary Clinton and Donald Trump took place, and, predictably, the meme-makers of the internet had a field day. From #Nastywoman to #BadHombres to #TrumpBookReport, Clinton supporters were quick to pounce on her rival’s performance with a bevy of mockery and ridicule, making the #BindersFullofWomen moment from the Obama-Romney 2012 debate look like mere child’s play by comparison. Of course, Republicans and Trump supporters have been circulating their fair share of memes as well, and while they haven’t dominated the latest post-debate headlines, their high-profile and controversial use of the Pepe the Frog meme illustrates how the right is catching up with the left in the realm of viral politics. At the same time, given Trump’s over-the-top public persona, it’s no surprise that his bizarre statements and phrasings are playing into the hands of meme parodists like none other.

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WIRED has a pretty comprehensive roundup of the major memes of the third debate, in case you haven’t already seen them all in your social media feeds. Also, the LA Times put out an interesting piece this week that puts this phenomenon into a broader historical perspective, noting not only the political internet memes of past election cycles, but also their connection to the traditions of political posters and cartoons, as well as image appropriation and manipulation more generally. However, while discussions of political memes tend to focus on the comic creativity of meme-makers and the cultural literacy required to make sense of them, I for one would like to see more analysis of how political memes are taking on the role of campaign marketing and advertising in the age of social media.

Indeed, this is a major theme of my research on the persuasive dimension of online political expression, including my upcoming book The Citizen Marketer (more details soon to follow)! Yes, it is certainly true that political memes may sometimes be completely frivolous and trivial, as I believe was the case with the Ken Bone memes from the second debate that seemed to have little to do with politics whatsoever. And yes, they do tend to circulate in the so-called ‘echo chambers’ of the internet, meaning that anti-Trump memes will mainly be seen by those who already don’t like him and thus may not change many minds. However, the fundamentally partisan nature of so many of today’s political memes cannot be ignored, and their resemblance to the propaganda posters and cartoons of the past underscores their role in processes of political persuasion.

The post-debate memes in particular illustrate their function as crowdsourced agenda-framing devices – in other words, by making Trump’s “nasty woman” or “bad hombres” remarks into memes and hashtags that are repeated and played with over and over, these moments come to define the debate itself for those who keep encountering them online (in lieu of other debate moments that don’t get the same meme treatment). It is no surprise that Clinton supporters would want to define the third debate in terms of Trump’s most extreme and offensive comments, and memes, like the Janet Jackson one pictured above, do precisely that.

And even though memes are seemingly ephemeral viral moments in pop culture, they do have a lasting power to frame larger political events – indeed, #BindersFullofWomen is probably the ONLY thing that people still remember about the second Obama-Romney debate of 2012. While political memes are often entertaining and silly, their role in the agenda-framing process should not be dismissed or taken lightly. For instance, thanks in no small part to the outpouring of memes and hashtags, “nasty woman” is now being talked about as a major flashpoint for feminist mobilization around Clinton in the final weeks of the campaign. So let’s not kid ourselves, even as we kid around with memes – viral politics is serious business.

Social Media and the 2016 Presidential Election: What We’ve Learned So Far

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Is Bernie Sanders the most important social media story of the U.S. presidential election so far? What is the connection between #FeelTheBern and the #Occupy movement? How is Donald Trump proving that political discourse and social media discourse are one in the same in 2016? And how do popular culture memes, like the Back to the Future-referencing one above, create entry points for citizens to make meanings out of the political? I discuss all these topics and more in my conversation with Merrill Brown for cable TV’s Carpe Diem – here’s the video: